How often, especially over the landscape photography with the problem, an interesting theme to have in mind, but it fits something wrong with the lighting situation. Often this is a dull gray sky and unstructured. The photographer can say that I fit then just in Photoshop, but the filmmakers would be an effort not to returnees to get the frame by frame in its software.
can remedy during the recording contrast filter.
With them you can create the desired mood. And next to the pole-filter or the still from the SW-Photography-known red, orange or yellow-green filters (which can make it interesting and surreal atmospheres) is available with color-over-filtering interesting little helpers, the "spice up" image or film results. are particularly suitable spot filter in combination with wide-angle lenses. Especially with these lenses unfold their effect in particular.
My personal recommendation is the filter system of Cokin
. And although the
Cokin Creative System
. Regardless of the filter diameter of the lens, in contrast to all the screw-on filters are used as drop-in filter with different filter holders and adapter rings of lenses with differing diameters. And - what's important in the course of filters - the filters can also be in position precisely adapted to the recording situation.
filter-Yourself
You can filter available commercially, even after his own taste "refine". In the image above example, a yellow green filter was combined with a self "constructed" fat slice as Blur: A commercially available UV filter was coated it with Vaseline.
And in the picture below only that fat disc was used to this romantic half-length portrait to create against the light.
And also the next studio recording, I used a so-made soft-focus. The fat was applied but thinner and less blurred over a wide area.
This creates a very different more uniform soft-focus effect.
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