Does Exercise Make Herpes Worse?

medium format today - the sensuality of photography rediscover


And also the possibility to produce large exhibition prints and also to achieve excellent grades in the digitization. What, for example, then it may be important when Photographic Art online (eg via
RedBubble
) wants to sell. And to the "movie-feeling" is preferred. That generated a scan (especially then in the print or canvas print) a different impression than a digitally photographed image.

recommendations: articles about medium format, especially for Hasselblad, by the way Stefan Heymann

an interesting site. Well worth a visit anyway. Desegen also because as a photographer Stefan Heymann "classical" works, in his day job very well at home in the digital world. And therefore a good example of that is no contradiction in itself. also absolutely worth reading the article (or article series)

"medium format for All of Nicolas Henri on

kwerfeldein.de .
- medium format for Everyone - Part 2
-
medium format for Everyone - Part 3 And those with their media formats would have digital, without itself into a (not very cheap) investment medium format scanners do to be personally Rating:
-
Filmscanner.info - ScanStudio.de A Personal Review


I myself until the early to mid 90's in the editorial section and for "my" Stock agencies (for example INTERFOTO

in its distributors the photo above - a slide in the original 6x7 - the Honda CRX on the Gerlos Pass in the Tyrol,

KEYSTONE or
media's color
) preferred to work in medium format. Only the significantly improved film emulsions of Fujichrome (Dia) and Fuji Color (negative) moved me to switch completely to a size 35 mm.


The Seagull in the upper left panel, a twin-lens reflex (a Chinese replica of the legendary Rolleicord and Rolleiflex) I have today. The Pentax 6x7 which are Hasselblad 500C and the SLR Rollei - unfortunately, from today's perspective! - No longer in my fund. Speaking Rollei: two cameras from this manufacturer I once called my own, a motorized Rolleiflex SLX and a Rolleiflex SL66. to SL66 I had a fish eye, contrary to popular opinion, a super-lens for architecture. As Follformat lens it drew from the entire field. And out of the 6x6 format can be generated without problems either portrait or landscape formats. Just like here on the I of Könid Ludwig at Kelheim built Liberty Hall in memory of the liberation wars against Napoleon I.

My most used medium format camera was - because of their usability as a KB-camera - the Asahi Pentax in the ideal format 6x7 cm.

The Pentax 6x7, despite their enormous weight, especially for tours in the Alps are also in the luggage (in the image of the top of the Lowe Pro Commercial). With a wide angle 45 mm and a 150-er (which is about a 85-mm focal length at KB). With the wide angle on the cover was down.

The fountain sculpture in the park of Schwetzingen (published in a customer magazine of American Airlines) I shot with the Rolleiflex SLX and the Carl Zeiss 450 mm.

And the photo of the snake of East German citizens before a Nuremberg ALDI store in November 1989 was taken on 220 roll film, the Pentax 6x7 and 45 mm wide-angle (equivalent to 28mm on a small picture).



Tweet